Like many I was skeptical about the casting of Daniel Craig (Lara Croft: Tomb Raider, Layer Cake) as James Bond. He’s blond, first of all. Secondly, he seems a little too rough around the edges for the Bond we’ve come to know and love. The latter objection gets blown to bits in this second adaptation of Ian Fleming’s first 007 novel.
Beginning with Bond’s entry into the double-0 ranks, Casino Royale suffers not because of Craig’s performance but more from an uneven script that both explodes with gritty action and drags with sequences that could have been significantly shortened. Truth be told, no matter how high the stakes, no matter how well dressed the players or how well they handle the chips, watching other people play poker is just not visually engaging.
Hinging on the money laundering activities of Le Chiffre (Mads Mikkelsen), Bond follows a trail that leads him from Africa to the Bahamas to the Casino Royale in Montenegro. It seems Msr. Le Chiffre has been playing the stock market with the money he is supposed to have been washing for his “freedom fighter” clients, money that he had hoped to make a profit from after blowing up a prototype aircraft at the Miami International Airport (a plot thwarted by Bond with the reckless abandon that is typical of this film’s action sequences). Now that Le Chiffre’s clients have come to collect, he finds it necessary to earn back their money via an invitation only high-stakes poker game.
Financed in this game by Great Britian’s Treasury Department, to the tune of 10 Million (we’re not sure if that’s Pounds Sterling, Euros, Swiss Francs, or U.S. Dollars (not that it matters)) and shepherded by Vesper Lynd (Eva Green), possibly the blandest “Bond girl” to ever hit the screen, Bond is thwarted in his pursuit of Le Chiffre by the first in a series of double-crosses. And it is from these double crosses that Bond learns the lesson that will turn him into the ruthless double-0 agent he will need to be.
That lesson: never trust anyone.
Overlong by at least thirty minutes, Casino Royale is a capable re-entry into the Bond franchise. Marked with a sly humor that is less self-conscious than anything we’ve seen since Sir Sean carried the 007 moniker, this characterization is grittier and more connected to what we’ve come to expect from an action-adventure/spy film. Craig’s Bond makes mistakes, some whoppers actually, and when he gets into a scrap he ends up showing the effects. You get the sense that he has to work for his victories. In some ways this fallibility, this humanity, makes this Bond more appealing than any of the ones who have come before him. Casino Royale is, in fact, a post-modern James Bond film that wouldn’t have been possible without all of the versions that preceded it.
Given that the price of movies has gone up to $10 for the matinee, given that no matter how hard the entertainment machine tries to convince me it’s visually interesting poker is not a spectator sport, and given that it could have been better with very little effort on the part of the filmmakers, I still found myself walking away disappointed. As such I have to give this film a 2.5 out of 5.
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